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It starred Johnny Depp and Christian Bale. Depp played John Dillinger in the movie, and Bale played Melvin Purvis, the FBI agent responsible for getting Dillinger. In January 2010 it was reported by Variety that Mann, alongside David Milch, would function as co-executive producer of new TV series Luck. The show was an hour long HBO production, and Mann directed the series’ pilot. Although initially renewed for another season following the airing of the pilot, it was eventually cancelled because of the departure of three horses during production. On February 14, 2013, it had been declared that Mann has been developing an untitled thriller movie with screenwriter Morgan Davis Foehl for more than a year he will direct for Legendary Pictures with Chris Hemsworth attached to star. In May 2013, Mann began the filming of Blackhat in LA, Kuala Lumpur, Hong Kong and Jakarta. Mann’s movies usually feature one to four deadpan man protagonists who are skilled in certain profession: undercover police work, high level offense-work, war in colonial America, and so on. Significantly, his movies frequently call for a terrible rather than happy ending, or they include a mixture of disaster and happy ending, like in Miami Vice, when of both undercover police officers, one has his girlfriend (also an undercover policeman) come out of a coma and also the other tearfully separates from his amorous interest. Mann’s movies include fast paced, artful, innovative scenes that strongly be determined by strong music, where frequently two opposing sides intermix, including undercover policework and undercover drug trafficking, so it is difficult to differentiate between them both. As an example, in Heat, the offender as well as the police detective meet for coffee, as if old company associates. Frequently it’s difficult to differentiate between opposing sides (cops vs. offenders, etc.), where the activities, dress, and mannerisms of the characters are incredibly similar. Additionally, Mann’s work frequently calls for landscapes and ways where the epic protagonists inhabit a somewhat secret world, from everyday concerns (law, life and death, cash, daily life survival responsibilities, family responsibilities, etc), where the secret world might or might not coincide with everyday fact. Protagonists frequently locate impassioned intimate interests that are severed under terrible scenarios close to the conclusion of the picture (Last of the Mohicans, Heat, Miami Vice, Public Enemies). Overall, Mann’s movies combine artistry (via music, stylishness and mental intensity) with powerful violence, humorless noir-like stoicism, and intricate plot twists.