Nick Broomfield Net Worth

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Nick Broomfield net worth:
$4 Million

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Nicholas "Nick" Broomfield (born 30 January 1948) is an English documentary filmmaker. He is the son of Maurice Broomfield, a photographer.Broomfield works with a minimal crew, recording sound himself and using one or two camera operators. He is often seen in the finished film, usually holding the sound boom and wearing the Nagra tape recorder. Wikipedia

Quick Facts

Birth date: January 30, 1948
Birth place: London, United Kingdom
Profession:Director, Producer, Sound Department
Education:National Film and Television School, Sidcot School, University of Essex, Cardiff University
Children:Barney Broomfield
Parents:Maurice Broomfield
imdb.com/name/nm0112374
en.wikipedia.org/wiki/Nick_Broomfie

About Nick Broomfield:

  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
  • Trademarks
  • Pictures

#Fact
1Went to France as an exchange student at the age of 15.
2One son with Joan Churchill, Barney Broomfield.
3Mother was a Czech refugee.
4Last person to interview Aileen Wuornos before her execution.
5Went to a Quaker boarding school.
6Father is Maurice Broomfield, a photographer.


Director

Director

TitleYearStatusCharacter
Can I Be Me2016Documentary post-production
Whitney HoustonTV Movie documentary post-production
Going Going Gone2016TV Series documentary 2 episodes
Tales of the Grim Sleeper2014Documentary
Sex: My British Job2013Documentary
Sarah Palin: You Betcha!2011Documentary
National Geographic Explorer2010TV Series documentary 1 episode
A Time Comes2009Video documentary short
Battle for Haditha2007
Ghosts2006
His Big White Self2006TV Movie documentary
Aileen: Life and Death of a Serial Killer2003Documentary
Biggie and Tupac2002Documentary
Kurt & Courtney1998Documentary
Fetishes1996Documentary
Heidi Fleiss: Hollywood Madam1995TV Movie documentary
Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher1994Documentary
Aileen Wuornos: The Selling of a Serial Killer1992Documentary
Too White for Me1992TV Movie documentary
Monster in a Box1992
The Leader, His Driver, and the Driver's Wife1991Documentary
Juvenile Liaison 21990Documentary
Dark Obsession1989
Driving Me Crazy1988Documentary
America Undercover1986TV Series documentary episode "Aileen: Life and Death of a Serial Killer", episode "Fetishes"
Lily Tomlin1986Documentary
Chicken Ranch1983Documentary
Fort Augustus1981Documentary
Soldier Girls1981Documentary as Nicholas Broomfield
Whittingham1980Documentary
Behind the Rent Strike1979
Tattooed Tears1979Documentary as Nicholas Broomfield
Juvenile Liaison1976Documentary
Proud to Be British1973Short as Nicholas Broomfield
Who Cares1971Short

Producer

Producer

TitleYearStatusCharacter
Whitney HoustonTV Movie documentary executive producer post-production
Sarah Palin: You Betcha!2011Documentary producer
National Geographic Explorer2010TV Series documentary producer - 1 episode
Albino United2010Documentary executive producer
Shed Your Tears and Walk Away2009Documentary executive producer
Still Human, Still Here2007Short producer
Battle for Haditha2007producer
Shooting 'Ghosts'2006Documentary producer
Ghosts2006producer
His Big White Self2006TV Movie documentary producer
Biggie and Tupac2002Documentary producer
Kurt & Courtney1998Documentary producer
Fetishes1996Documentary producer
Heidi Fleiss: Hollywood Madam1995TV Movie documentary producer
Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher1994Documentary producer
Aileen Wuornos: The Selling of a Serial Killer1992Documentary producer
Too White for Me1992TV Movie documentary producer
The Leader, His Driver, and the Driver's Wife1991Documentary producer
Lily Tomlin1986Documentary producer
Chicken Ranch1983Documentary producer
Juvenile Liaison1976Documentary producer

Sound Department

Sound Department

TitleYearStatusCharacter
Sarah Palin: You Betcha!2011Documentary sound recordist
Kurt & Courtney1998Documentary sound
Aileen Wuornos: The Selling of a Serial Killer1992Documentary sound
Too White for Me1992TV Movie documentary sound
Comic Book Confidential1988Documentary sound recordist
Driving Me Crazy1988Documentary sound recordist
Report from Hollywood1982Documentary sound recordist
Soldier Girls1981Documentary sound recordist - as Nicholas Broomfield
No Nukes1980Documentary sound recordist
An Eye for the Country1972Documentary short sound - as Nicholas Broomfield

Writer

Writer

TitleYearStatusCharacter
Tales of the Grim Sleeper2014Documentary by
Sex: My British Job2013Documentary
Battle for Haditha2007written by
Ghosts2006written by
Fetishes1996Documentary
Aileen Wuornos: The Selling of a Serial Killer1992Documentary writer
Dark Obsession1989idea
Who Cares1971Short

Editor

Editor

TitleYearStatusCharacter
Fetishes1996Documentary
Juvenile Liaison 21990Documentary
Lily Tomlin1986Documentary
Soldier Girls1981Documentary as Nicholas Broomfield
Behind the Rent Strike1979
Juvenile Liaison1976Documentary
Proud to Be British1973Short
Who Cares1971Short

Cinematographer

Cinematographer

TitleYearStatusCharacter
Shooting 'Ghosts'2006Documentary
Behind the Rent Strike1979
Trip Round Jenny1977
Proud to Be British1973Short as Nicholas Broomfield
Who Cares1971Short

Actor

Actor

TitleYearStatusCharacter
Snuff-Movie2005Nick Broomfield, interviewer

Thanks

Thanks

TitleYearStatusCharacter
Monster2003thanks

Self

Self

TitleYearStatusCharacter
Whitney HoustonTV Movie documentary post-productionNarrator
Going Going Gone2016TV Series documentaryHimself
Tales of the Grim Sleeper2014DocumentaryHimself, also narrator
Sex: My British Job2013DocumentaryHimself
The Hour2011TV SeriesHimself
55th BFI London Film Festival2011TV MovieHimself
Sarah Palin: You Betcha!2011DocumentaryHimself - Host
50 Documentaries to See Before You Die2011TV Series documentaryHimself - Filmmaker / Himself - 'Biggie and Tupac' Director
Capturing Reality2008DocumentaryHimself
The Sunday Programme2008TV SeriesHimself
Irak-Afganistán, la guerra llega al cine2008TV Movie documentaryHimself
Ceremonia de clausura - 55º festival internacional de cine de San Sebastián2007TV MovieHimself
This Week2003-2007TV SeriesHimself
Shooting 'Ghosts'2006DocumentaryHimself
His Big White Self2006TV Movie documentaryHimself
The Late Edition2006TV SeriesHimself
The 50 Greatest Documentaries2005TV Movie documentaryHimself
2nd Annual Directors Guild of Great Britain DGGB Awards2005VideoHimself - Presenter
HARDtalk Extra2005TV SeriesHimself
Richard & Judy2004TV SeriesHimself
The Terry and Gaby Show2004TV SeriesHimself
Aileen: Life and Death of a Serial Killer2003DocumentaryHimself
Last Call with Carson Daly2003TV SeriesHimself - Guest
Biggie and Tupac2002DocumentaryHimself - Filmmaker
The 11 O'Clock Show1999TV SeriesHimself - Special Guest
Kurt & Courtney1998DocumentaryHimself
Fetishes1996DocumentaryHimself - Interviewer
Heidi Fleiss: Hollywood Madam1995TV Movie documentaryNarrator
The Little Picture Show1995TV SeriesHimself
Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher1994DocumentaryHimself - Interviewer / Narrator
Aileen Wuornos: The Selling of a Serial Killer1992DocumentaryHimself - Interviewer
Too White for Me1992TV Movie documentaryHimself
The Leader, His Driver, and the Driver's Wife1991DocumentaryHimself
Driving Me Crazy1988DocumentaryHimself (uncredited)
Chicken Ranch1983DocumentaryHimself (uncredited)
Proud to Be British1973ShortHimself (voice, uncredited)

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
2011Inspiration AwardSheffield International Documentary Festival
2007Silver SeashellSan Sebastián International Film FestivalBest DirectorBattle for Haditha (2007)
2007SIGNIS Award - Special MentionSan Sebastián International Film FestivalBattle for Haditha (2007)
2006Solidarity AwardSan Sebastián International Film FestivalGhosts (2006)
2003Amnesty International - DOEN AwardAmsterdam International Documentary Film FestivalAileen: Life and Death of a Serial Killer (2003)· Joan Churchill
2003Special MentionTribeca Film FestivalDocumentary > 2 Feature2 Feature
Aileen: Life and Death of a Serial Killer (2003)
· Joan Churchill
1982Flaherty Documentary AwardBAFTA AwardsSoldier Girls (1981)· Joan Churchill
1982Grand Jury PrizeSundance Film FestivalDocumentarySoldier Girls (1981)· Joan Churchill
1981Interfilm Award - Honorable MentionMannheim-Heidelberg International FilmfestivalSoldier Girls (1981)· Joan Churchill

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
2015Cinema Eye Honors AwardCinema Eye Honors Awards, USOutstanding Achievement in DirectionTales of the Grim Sleeper (2014)
2014F:ACT AwardCPH:DOXTales of the Grim Sleeper (2014)
2014Politiken's Audience AwardCPH:DOXTales of the Grim Sleeper (2014)
2014ICP AwardIndiewire Critics' PollBest DocumentaryTales of the Grim Sleeper (2014)
2014IDA AwardInternational Documentary AssociationBest FeatureTales of the Grim Sleeper (2014)
2011Crystal ArrowLes Arcs European Film FestivalSarah Palin: You Betcha! (2011)· Joan Churchill
2007Grand Jury PrizeSundance Film FestivalWorld Cinema - DramaticGhosts (2006)
2006Golden SeashellSan Sebastián International Film FestivalGhosts (2006)
2004European Film AwardEuropean Film AwardsEuropean DocumentaryAileen: Life and Death of a Serial Killer (2003)· Joan Churchill
2004IDA AwardInternational Documentary AssociationFeature DocumentariesAileen: Life and Death of a Serial Killer (2003)· Joan Churchill
· Jo Human
2003Jury AwardTribeca Film FestivalBest Documentary > 2 Feature2 Feature
Aileen: Life and Death of a Serial Killer (2003)
· Joan Churchill
1999OFTA Film AwardOnline Film & Television AssociationBest Documentary PictureKurt & Courtney (1998)· Benjamin Silverman
1999Golden Satellite AwardSatellite AwardsBest Motion Picture, DocumentaryKurt & Courtney (1998)
1997OFTA Film AwardOnline Film & Television AssociationBest Documentary PictureHeidi Fleiss: Hollywood Madam (1995)
1993Grand Jury PrizeSundance Film FestivalDocumentaryAileen Wuornos: The Selling of a Serial Killer (1992)
1992Flaherty Documentary Award (TV)BAFTA AwardsThe Leader, His Driver, and the Driver's Wife (1991)
1990International Fantasy Film AwardFantasportoBest FilmDiamond Skulls (1989)
1989Best FilmMystfestDiamond Skulls (1989)
1987Grand Jury PrizeSundance Film FestivalDocumentaryLily Tomlin (1986)· Joan Churchill


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#Quote
1[on Tales of the Grim Sleeper (2014)] In LA, it's strange that there are actually two cities - the super wealthy one and the other city which you don't go into, where the poor people live - and there's a complete abandonment of that part of the city. They don't interact at all. Lonnie's case bizarrely shows what happens when you abandon a people and they're no longer a functional part of the community. You get these kind of situations where it is possible for someone in a 25 year period to kill probably over a 100 people and not be caught by a police force because those people are not a political priority. So I thought it was fascinating and I wanted to meet Lonnie's friends and the other people in the community because I wanted to put a human face on this situation.[2015]
2[on Tales of the Grim Sleeper (2014)] I think documentaries are so good at creating empathy between an audience and situations that they don't know anything about. There's this real belief that people in South Central are like the bogeymen, that if you go there you're going to get shot. And I think what I like about a film is that these people come across as charismatic likable people, you have empathy for them, and they deserve a better deal than what they've been getting. And I think that's first and foremost what the film does. I think what the documentary does in terms of finding information that the police should've done just sort of underlines the fact that the police force is completely inefficient.[2015]
3[on films that inspire him] The Pink Panther (1963), Citizen Kane (1941), Titicut Follies (1967), Dont Look Back (1967), Day for Night (1973).[2014]
4My advice for first-time filmmakers: don't sit around waiting for the money to come your way; it's much easier to go out and start. Nowadays, you can go out and shoot very inexpensively and discover whether or not filmmaking is your thing.[2014]
5[on Soldier Girls (1981)] Joan [co-director Joan Churchill] and I went through Basic Training for 14 weeks. Frederick Wiseman lent us a tape recorder. D.A. Pennebaker and Chris Hegedus lent us a cutting room. We only got funding after it was shot. We both lost 20 pounds making it -- it was so hot.
6[on Aileen Wuornos: The Selling of a Serial Killer (1992)] CH4, who financed it, at first hated it when it was filmed. Rieta Oord and I believed it mirrored our experience and refused to change it. They wanted experts in white coats giving their opinions, to make it more objective. It fortunately won the Royal Television Society Award.
7[on Driving Me Crazy (1988)] The first film I ever appeared in. I was so desperate in this out-of-control situation that it was the only way I could think of telling the story. Rob Levi was an enormous support. It's a miracle it ever got finished.
8[on Who Cares (1971)] The first film I ever made. Borrowed the camera, got 'short ends' of film for free and set out with my friend Pete Archard to Liverpool. Pete is a sociologist and knew the subject really well. Took three months to shoot. Bernice Rubens the novelist helped me to piece it together. It took me one and a half years working nights to cut this 18 minute film. Sir Arthur Elton and the director Bruce Beresford got me £200 to finish it at the British Film Institute.
9[on The Leader, His Driver, and the Driver's Wife (1991)] We lived in Ventersdorp in the Transvaal in a remote farmhouse. Barry's son was born while he was shooting the film. Barry [cinemtographer Barry Ackroyd] and Riete [producer Rieta Oord] are very charismatic and likable, I always think the people you work with have an enormous effect on the final film and the way your subjects respond to you.
10It's like watching a schoolboy's fantasy of violence and sex, which normally Quentin Tarantino would be wanking alone to in his bedroom while this mother is making his baked beans downstairs. Only this time he's got Harvey Weinstein behind him and it's on at a million screens.
11Chaos is a creative place to work from.
12Dennis Potter once said watching my films was like watching somebody on the toilet. Strangely enough, I think the same could be said about him.
13I'd never use "middle-class" as a term for describing someone. It's so meaningless. So bland.
14A film is a portrait of an aspect of society.
15I was taught by someone who loved observational films where people are made to feel completely adequate about the way they are. That is what makes an insightful film.


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