Ox Baker Net Worth

Michael Conway Baker Net Worth

How rich is Michael Conway Baker?

Michael Conway Baker net worth:
$17 Million

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Quick Facts

Birth date: 1937
Birth place: West Palm Beach, Florida, USA
Profession:Composer, Music Department

About Michael Conway Baker:

  • Facts
  • Filmography
  • Awards
  • Salaries
  • Quotes
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1His father was a radio personality in Hollywood during the golden-era of cinema.
2Early in his career worked for the BBC in London.
3Has lived in Canada since 1958. Holds three degrees: Associate of the London College of Music (1959); Bachelor of Music, University of British Columbia (1966); and Master of Arts, Western Washington University (1971) and a BC Teachers Certificate.



Thicker Than Water2006/IShort
Inventing Grace, Touching Glory2003Documentary
The New Beachcombers2002TV Movie
Champions of the Wild1998-2002TV Series documentary 11 episodes
Starlight1996original music composed by
This Way Up1996Short
Avonlea1995-1996TV Series 2 episodes
Healing of Nations1994Documentary
Savage Land1994
The Odyssey1992-1994TV Series 19 episodes
Showdown at Williams Creek1991
Anything to Survive1990TV Movie
John and the Missus1987
The Emerging North1986Documentary short
The Last Season1986
One Magic Christmas1985
The Grey Fox1982original score composed by
Harrison's Yukon1979Documentary short
Nails1979Documentary short as Michael Baker, music

Music Department

Music Department

Avonlea1995-1996TV Series conductor - 2 episodes

Won awards

Won awards

YearAwardCeremonyNominationMovieAward shared with
1987GenieGenie AwardsBest Music ScoreJohn and the Missus (1987)
1986Golden Sheaf AwardYorkton Short Film & Video FestivalBest Original ScoreThe Emerging North (1986)· Charles Wilkinson
1983GenieGenie AwardsBest Music ScoreThe Grey Fox (1982)

Nominated awards

Nominated awards

YearAwardCeremonyNominationMovieAward shared with
1997GeminiGemini AwardsBest Original Music Score for a Dramatic SeriesRoad to Avonlea (1990)
1994GenieGenie AwardsBest Original SongSavage Land (1994)
1987GeminiGemini AwardsBest Music Composition for a Program (Dramatic Underscore)The Last Season (1986)
1984GenieGenie AwardsBest Music ScoreDeserters (1983)
1980GenieGenie AwardsOutstanding Original Music Score (Non-Feature Film)Nails (1979)

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1[on Phillip Borsos] He had done these three essays, film essays at a very young age. He made his mark in the business early. So directing _The Grey Fox_ (1982) at 28-years old wasn't a surprise.
2On critics: I stropped reading reviews years ago. Especially the negative ones.
3I asked the independent filmmakers: 'how did you get all this stuff for your film?' ... And the guy simply said...: 'we asked...' So that's the advice I give young filmmakers . Never be afraid to ask for anything.
4Everyone in the business has their ...shtick... their song-and-dance.
5Hollywood gives a lot of artistic credit, to, and is fascinated, with, people who don't come from Hollywood.
6We can all admire great work. I've always admired Francis Ford Coppola. But few consider the affects and how devastating and destructive great filmmaking is on the filmmaker's family.
7This it the crazy-making business.
8Composing music for One Magic Christmas (1985): Working for Disney was a unique experience for me... After I finished the score and we recorded, I get a phone call and the voice said: Michael, it's Michael Eisner, I want to talk about the music'. He proceeded to rate each piece of the score like a report card... I'd never encountered that way before.
9When I first started going to business meetings in Hollywood, I noticed the strangest thing...everyone I was meeting with just happened to be finishing-off a 'very important' phone call with Rock Hudson...
10As a music composer I've had those frustrated moments where I wanted to drive my motorcycle off the Lionsgate Bridge.
11When I review my career, I did some great work in film. The one thing I never found was the right filmmaker to spend my years with...

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